Gullah Spirituals

The Sound of Freedom and Protest in the South Carolina Sea Islands

In Gullah Spirituals musicologist Eric Crawford traces Gullah Geechee songs from their beginnings in

West Africa to their height as songs for social change and Black identity in the twentieth-century American South. While much has been done to study, preserve, and interpret Gullah culture in the Lowcountry and sea islands of South Carolina and Georgia, some traditions like the shouting and rowing songs have been all but forgotten. This work, which focuses primarily on South Carolina’s St. Helena Island, illuminates the remarkable history, survival, and influence of spirituals since the earliest recordings in the 1860s. Read more

About That Song You’ve Heard, Kumbaya

St. Luke Baptist Church in Hog Hammock, a Gullah Geechee community on Sapelo Island, Ga.CreditDavid Goldman/Associated Press

We chant it with locked arms and closed eyes, at campfires, in protest lines and from the pews at church, but the truth is, many of us have no clue what the lyrics mean or exactly where they come from.

Kumbaya my Lord, kumbaya. Kumbaya my Lord, kumbaya.

Thanks to research and lobbying by residents of a coastal community descended from slaves, the origins and meaning of “Kumbaya” have been recognized in Congress, raising hopes that a fading culture might get a boost. The song may be sung more often than usual this month, especially in the part of Georgia where its soulful lyrics are said to have originated almost a century ago. more