“Black Music in the Poetry of Langston Hughes”

Zhao, Peng. “Black Music in the Poetry of Langston Hughes.” Frontiers in Art Research, Vol. 2, Issue 5: 34-36, DOI: 10.25236/FAR.2020.020508

The paper attempts to interpret the styles and meanings in the poetry of Hughes and reveals his constant references to black music both in forms and themes to record the black lives. Based on diachronic analysis, the author discovers the most powerful voice Hughes adopts in his portrayals of the blacks exists in poetry drawing on spirituals, blues, and jazz.

Langston Hughes and Howard Swanson

joy41Spearman, Rawn Wardell. “The ‘Joy’ of Langston Hughes and Howard Swanson.” Black Perspective in Music 9, no. 2 (1981): 121–38.

In excerpts from an interview conducted on July 22, 1972, Spearman and Swanson discuss Swanson’s lifestyle and musical values and his setting of Langston Hughes’s poem “Joy.” In a musical analysis of the song, Swanson discusses its blues and jazz influences: the handling of polyrhythms and the inspirations for some of the motives. The work of current African American composers draws less on the spirituals and oral tradition of African American music than did the work of earlier generations. (Journal’s abstract, revised)